#46
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"Forgive the accusation; it is on orders of Lonjiku-sama I do so. He is a harsh man, if fair." Words no one has uttered, ever. "If it concerns the Kaijitsu children, then it is a grave matter indeed, for both Ameiko-dono and the bastard Tsuto hate Lonjiku, though he does not hate Ameiko-dono. Tsuto..." He sighs. "If you wish to speak to Lonjiku-sama, he is not here. He left early this morning with a letter in hand, and stated he was headed for business in town. As for myself, it is my belief that he does his business out of the Glassworks, but he has become erratic these past few days. Another letter arrived previously that shook him, and...." He sighs, closing his eyes. "You understand that by my speaking to you in this way, I threaten not only the honor of myself, a lowly servant, but also that of the Kaijitsu family. We are far from home but our roots to the Jade Throne go deep. Troubled has been our family since Rokuro-sama's passing, and I am much in his debt. It is for that reason that I am the final of the original retainers still in his family's service, by time, attrition, and misfortune." "But Lonjiku-sama has been rash and foolish in the past, and I fear he takes us once more down that path. When he left this morning, he was between his usual rage, and an unusual weeping, for I have not seen tears on his face since... since the passing of his wife. The Troubles of old are the troubles of the noble house of Kaijitsu, but these new ones... I fear that, once again, we are connected. Seek out the Glassworks. Protect Ameiko-dono. Though young and wily, she is honorable in ways Lonjiku-sama is not. I am old, and I suspect my mission will end soon. But I would like to see her take her grandfather's place as head of this family." He bows. Awful wordy, for a simple retainer. As for his companion, Igna attempts to discern who this Varisian man is and what he's doing here. Not recognizing a fellow Varisian is rare in these parts, but not impossible. "Dacă, prin ceva mai īn vārstă, īl numiți pe Maestrul Lonjiku, pentru o vreme. Trec pe drumul spre Kaer Maga și m-am gāndit să-mi angajez serviciile pentru sezon și poate iarna. Numele lui este Gillac Stribei. Si tu?" *
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In Repose Last edited by Sassafrass; Dec 21st, 2018 at 11:30 PM. |
#47
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#48
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Life and hospitals suck at times. Starting to catch up now. |
#49
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#50
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#51
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#52
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"Iye," notes the guard, using his tongue, bowing as he says the term. "I cannot leave my post, as laid out by my master. His words were plain: no matter what occurs, I am to remain here and protect the Manor." It is very clear, as he comes back up to his full stature, still shorter than Doyle, that he does not want to do this. He wants to rush into town and find his master. Perhaps not for honor, but for himself.
His companion, Gillac, grins at Igna as they converse in their native tongue. "Arată-le īn jur, nu? Pare un motiv ciudat să plutească aici. Aud lucruri despre oamenii locali, buni și rele. Nu am mai ajuns pānă la Sandpoint. Poate că ar trebui să te caut; unde te-aș găsi?" * His grin is incredulous, his temperament wily at worst. He seems a fine chap, and one of the "People," as he called them: Varisians have a way of identifying themselves. But he seems to have bought the lie, none the less, and doesn't have any underlining curiosities to what Igna is up to with this bunch. ![]() And with that, they prepare to go. The old man stops them, bowing lower. "Please... do what you can. For her." An odd choice of words for someone so loyal to his master. "Ganbare, kudasai." He remains bowing as Doyle leads them out, before Igna passes them. They head back south, down the hill, and then back into Sandpoint. Clouds come and go in the sky above, an otherwise perfectly blue sky that begs perfection, despite the faint air of smoke that still rises off of some of the ruins. On the hillside, Sandpoint still looks somewhat pristine, save the new black marks on its northern side. A wonder more wasn't burned. A wonder if more won't, if they don't find Tsuto? While no one else has any clue where the Sandpoint Glassworks is, Igna is well-versed in it. Is it not one of the most bustling of businesses in town? While the Magnimar branch of the business does more work overall, this one is nothing to wave away. The building is visible as they head back towards the center of town, now that Rapid points it out. Sandstone in make, it has thick walls, with thick smokestacks, the likes of which most of them have never seen before. Something called "industry," whatever that is. Sitting on a cliff overlooking the coast and docks to the southeast, it is quite a thing of beauty. Turning the corner that allows them to take the long street it rests on, they find themselves outside, with two sets of doors: the large black doors that lead inside, meant for customers, and a side door for employees. Igna knows, off-handed, that there is a stairway on the other side of the building and another door, the stairway leading down the cliff to the beach, and the doorway leading almost directly into the glassworking chamber. There is a kind of heat here, hotter than anywhere else in Sandpoint, and the smoke above them churns. The street is not especially busy, though people have noticed them. In the many windows, all of the glass stained, there is no sign of life here. Windows portray many scenes; some of them look like tapestries from Taldane or Chelaxian tales of yore, while others are altogether more alien: depictions of strangely shaped boats in Tian Xia, or the strange characters of their language. No horses, no carts, no sign of any Kaijitsu.
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In Repose Last edited by Sassafrass; Dec 21st, 2018 at 11:31 PM. |
#53
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Last edited by Dressedtojazz; Dec 6th, 2018 at 06:06 PM. |
#54
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#55
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#56
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Last edited by Kapera; Dec 7th, 2018 at 02:36 PM. |
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Life and hospitals suck at times. Starting to catch up now. |
#58
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The Sandpoint Glassworks really is a thing of beauty. As they admire the glass, it matters little that they might find beauty in it. And yet they do. Looking about, they quickly make work for themselves, looking for a way in. Rapid begins checking doors, making sure that they can get in. Locked, of course, but he knows that this building has several entrances used by the workers. The front doors, used primarily by customers and by workers coming and going, sit on the street, while more entrances sit on the back, facing the beach, where customers might take their work down the slope to their ships directly, particularly larger orders. The high glass is hard to see through, though at times they do see light within, though no signs of life. As they explore, there is no sign of life. No horse, no cart, nothing of the sort. While that means that Tsuto is not here, or has a new ride, that also means that if Ameiko or Lonjiku are here, they came by foot. A logical explanation. Checking the customer entrance, there is no such luck: they can't get in.
So Rapid takes them to the back, as Doyle voices concern regarding the legality of what they are doing. No one minces words: this is not legal. As they come to the back, Rapid quickly opens the back door, where behind them, a set of worked limestone steps lead to the white beaches of Sandpoint, the wide open seas before them. But before they go in, Edledhron notices something. Not about the Glassworks, but rather one of the nearby houses: a small child at a window, his head visible as he watches them. The window open, his teeth bucked and growing, the child recognizes them all. From the wide grin on his face, not so much what they are doing, but he then waves as Edledhron prepares to enter. The child says nothing, then disappears. There is something to be said for celebrity, after all. Venka leads them in, torch and more in hand. And quickly it becomes apparent that while the torch will be useful, it isn't necessary, at least at this entrance. Above them flickers a torch, burned almost through, a black log against the wall, where it has stained the stone. Why is there a burning torch at this hour? It makes no sense. All the same, the heat of the Glassworks hits them all like a wave as they enter. The burning furnaces are working, a powerful thing that rumbles through the walls, and from the sound of it, they must be close. Further down the hallway, a window lets light through, but not much: the darkness is largely ever-present as they go deeper down. The hallway reveals a doorway at the end of the hall, where Rapid and Edledhron's minds tell them the customer entrance is, at least through that door. That must be the customer foyer, where customers can see sample works and such. Is it locked, too? But more immediately, there is another door: one right before them, as they enter, that leads to where the rumbling, where the burning hot head comes from. Before they go in, looking through the glass of the furnace room offers little help. The glass, clearer than elsewhere, is not quite as opaque as they might like. Looking in, they see that there are tables, there are all sorts of things, but nothing beyond about two feet. The glass lets light in, but not prying eyes. Where do they dare to tread: the first door, the customer entrance, or follow the hallway to its unnatural conclusions?
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In Repose |
#59
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![]() Last edited by Norse; Jan 2nd, 2019 at 08:47 AM. |
#60
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Last edited by Kapera; Jan 3rd, 2019 at 11:28 AM. |
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